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CoCoComa – Things Are Not All Right

August 2, 2012 Leave a comment

Goner Records, 2009

Oooh, quite the color scheme.  Orange, white, and fuchsia.  Through the fluffy clouds and bright rainbows are five missiles heading towards some unfortunate destination.  So, I suppose one couldn’t ultimately decide this was going to be a light pop band.  Maybe without those missiles, but they’re there, so there has to be some sort of edge involved.  I also figured that songs like “You Better Beware”, “Lie to Me” and “Suspicious” hinted at some sort of relationship entanglement.  Like an obnoxious rubbernecker nearing the result of the traffic jam they’re stuck in, I had to stop and see/hear how CoCoComa were going to explain that cover art with music.

This second album from the Chicago-based group is a rock ‘n roll release, nothing less and nothing more.  The missiles proved true when the guitar feedback introduced the foot stomper “You Better Beware”.  It’s got all the rousing elements of rock with its tempo, group shouting during the chorus, and its general disregard for deep, intricate verses.  “The Right Side” continues with the theme with its rambling style and more group shouting (including the ever effective “Yeah Yeah!” between lines … when has that never worked?).  It’s very evident early on that CoCoComa want to overdose everyone immediately with their energy and zeal.

After only a few tracks in I recognized where I’ve heard lead vocalist Bill Roe’s tone before.  His voice sounds a lot like a combination of the lead vocalists from Television and the Futureheads where it always sounds like he’s got a cold.  It blends in well with his group mates during the choruses, but on its own it could annoy after awhile.  Thankfully the music tends to be the primary focus, and songs like “The Right Side”, “Lie to Me”, and “Water Into Wine” are straight forward, good time rock ‘n rollers.  Since every song is rarely above three minutes, there isn’t any time to think a tune has gone on too long.  One could say that the band knows how modern attention spans work, eh?

Perhaps the best song on the disc is the last one, “Alright, Alright, Alright”, which references the album title.  It’s got group singing (plus), constant pounding of drums (plus), and repeats the song title over and over again with increasing emphasis at the end of the song (plus!).  The song practically puts you in one of those rockets and launches you into the great silence that occurs in the aftermath.  It’s kind of like leaving a great party and, upon staggering around the streets, you come to wonder why you left at all.

Have a listen to many of CoCoComa’s tracks from this album on their MySpace or Last.fm pages.

This is a good energy-inducing album, though it’s nothing you haven’t heard before.  For thirty minutes you get to hear a band that sounds like they’re having a great time blitzing through their cadre of upbeat rock compositions, so at least there is no room for downers.  CoCoComa is still around as far as I know, though with this record it has been about three years.  It’s getting into that territory of unknown future, but I hope they’re still packing the bars with their raucous style.  CoCoComa may not be original but they’re a lot of fun, so I imagine people will always want more of that whenever it is available and ready to break out some new tunes.