Posts Tagged ‘paula frazer’

Tarnation – Gentle Creatures

September 12, 2011 Leave a comment

4AD Records, 1995

I have to admit that I enjoy reviewing bands that I’ve actually heard of and will find relatively easy to write about.  It also helps that I wrote about Tarnation’s second album earlier, so I knew exactly what I was going to pick up.  However, it turns out this is the first record they released, so as great as their second album sounded the first could go in many directions.  It could be less polished and clunky or perhaps heavier on the rock ‘n roll.  You know, sometimes bands are still finding themselves and Paula Frazer does come from a punk background.  But hey, for a dollar I was just hoping for some of that fine Americana music to relax to whatever bumpiness may occur.

Amidst a decade knee deep in grunge and grunge knockoffs, Tarnation takes a calmer tack with its warm Americana and folk songs.  There is nothing on this record that will make your heart race, unless of course you’re swept up in the lyrics.  I found that the casual pace of the record actually serves as a relaxation pill to help get one’s feet kicked up.  It certainly helps that the band utilizes the lap steel guitar and a cello once in awhile, though anyone know what an optigan is?  I had to look it up to determine that it is an electronic keyboard that had a short run in the early seventies.  I guess it also assisted in these country feelings.

Now, as much as I like the sound of Tarnation and Frazer’s voice, I could completely understand if someone is turned off early on in the record.  This could be due to either the back-to-back six minutes songs of “The Well” and “Big O Motel” or easily the quiet, plodding pace of the band.  Not much changes during these songs, so if one does not enjoy the light strumming and slide guitar on “The Well” then the tune will be cumbersome.  The same goes for “Big O Motel”, which is ever lighter and more repetitive.  The rest of the album sticks to three minutes or so for the most part, so why these epics were fastened early on in the listening process is a little puzzling.

Lengthy songs aside, Tarnation is quite good in the shorter instances.  The opener “Game of Broken Hearts” sounds like a solo demo by Frazer, but it easily sets the tone (and example) for the rest of the record with its easy guitar and Frazer’s stirring vocals.  The title track’s brevity is a pity, for as the lone instrumental on the record it gives off the air of a track from an unknown western movie.  “Do You Fancy Me” is as slow as anything else, but something about using the word ‘fancy’ as well as Frazer taking the cloud-shooting voice down a bit makes the song a real nice, countrified listen.

Unlike the second album, where it was Frazer all the time, “Gentle Creatures” gives time to the other band members to sing lead vocals.  Matt Wendell Sullivan’s deeper voice sounds excellent on “Listen to the Wind” with Frazer echoing in the background.  As for the other band members, Lincoln Allen has a fine weathered voice on the traditionally country “Stranger in the Mirror” while Michelle Cernuto sings in echo on a Magnetic Fields-like “Burn Again”.  Though Frazer has the most captivating voice, the rest of the band succeed in carrying a few good tunes when given the chance to sing.

There still isn’t a lot on the web about Tarnation, but Paula Frazer’s MySpace page, the band’s page, and a video from their second album may convince you to go check them out.

The group put out “Mirador” a few years later before taking a ten year hiatus, which essentially gave Paula Frazer time for her solo career.  The band did put out an album in recent years, so it remains to be seen whether or not Tarnation is back for real. I suppose I’m a fan of the group now with two straight, enjoyable records.  Some people may not warm to Frazer’s voice or the quiet country sound of the songs, so if a few tracks don’t turn you on then you likely won’t agree with my spin on the two albums.  For me, I suppose that if I need to hear something soothing with a vocalist that doesn’t grate on me I would choose something from Tarnation.


Tarnation – Mirador

March 3, 2010 1 comment

Reprise Records, 1997

A fellow DJ helpfully prodded me towards giving a spin of Tarnation a try and I belatedly thank him now for doing so. Tarnation is a wonderful, under-appreciated band that doesn’t sound like it is from this era. I vaguely remembered this fact when I found their second release amidst the cheap stacks and swiftly took it home with me. Sometimes all it takes is a band name to gamble your money on.

Tarnation is a moody sort of band that emits a midwestern feel and a sense of loneliness.  This may mostly be due to the fact that Paula Frazer’s voice is strong and yet beautifully wilting.  Her periodic long cries as well as her tone of a knowing storyteller gives one a mental image of a silhouetted gunslinger riding slowly towards nowhere on the edge of a hill during sunset.  No I’m serious, I get that sometimes.  “An Awful Shade of Blue”, while on the surface sounds like someone’s rant about an interior decorating session gone wrong, actually concerns … well geez, I don’t know.  The lyrics seem rather vague, so you know the best thing to do is bet on a relationship song.  Either way, it’s an excellent opener to the record.  The much more rousing number in “Your Thoughts and Mine” sounds like the credits to the end of a movie featuring the aforementioned gunslinger after he left a woman in some desolate town.  It has a sorrowful trumpet as well as a reverb guitar keeping a galloping horse’s pace in the near background.

The band does take a step away from the dusty west by doing a fine cover of the Nightcrawler’s “Little Black Egg” from the sixties.  I first heard that song off of the Nuggets collection from Rhino records and found it charming, yet here it was getting covered by a band that must have thought the same thing.  As much as I enjoy this record, the band does get a bit distracted with some desperate sounding sparse music in “Christine”, which is a tune that sounds as unsettling crazy as the unfortunate psychological end of a girl and her doll.  Aside from this road block to easy flow, the record in total is dreamy trip across the plains with Frazer as its haunting guide.

Not much can be found about Tarnation on the web in terms of listening, so head on over to Paula Frazer’s MySpace page or the band’s page.

I’m finding that I’m easily swept up in bands that portray a western feeling, like I was with Spindrift.  Despite all the garage rock and punk that I listen to, once in awhile something different comes along and gives me a nice surprise.  Tarnation may not be for everyone, but if you’re up for something low key and enjoy pretty voices as well, check out this band.  I noticed that Tarnation as a group is back recording with all new members around Frazer, so keep an eye out for a possible new record if you like this one as much as I did.