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The Victoria Lucas – Self-titled

December 31, 2012 Leave a comment

No No No Records, 2006victoriaLucas

When presented with the opportunity to buy a brand new, unwrapped record for less than a dollar, there are a few things that may pass through your mind.  For instance, you may get some kind of inner seizure when the phrases “new album” and “one dollar” collide.  Wha-a-a-a-t?!  If you somehow can ignore your impulsive buying habits, you may also catch that the album is swathed in colorful art that features houses and people in berets.  Forget that the phrase “The Victoria Lucas Hit the Ground Running Fast” is manically scratched across the album cover, or that the band comes from a foreboding record label; this is an album that demands one to take a chance on it.  Okay, maybe I’m the one.  The only one.  Fine.

Based out of Brooklyn, this quintet has a fine, digestible pop rock sound.  Early songs like “Tucson” and “Back to Junk” remind me a lot of some mid-to-late nineties indie rock.  I hear a lot of Breeders in “Back to Junk” with the quivering main guitar lick, while “Tucson” just sounds like a collection of low key, jangling guitar types of bands from those days.  The guitar riff from “Allegheny/Monogahela”, as well as the combination of Juan Stacey’s and Kathy Horne’s unflashy vocals, give an air of earlier Pavement.  Note that these three songs, aside from a bit of strings, are pretty much straightforward pop rock.  I like that these tunes don’t try to get too quirky for the sake of being different, which topples most rock efforts with the ‘trying too hard’ label.

The record rolls along very nicely before it runs into its first skippable tune of “Wheels of Commerce”, which qualifies as such mainly because it is overly long and strays away from that easygoing guitar sound by incorporating noisy horns and a prolonged ending.  I know that eventually a band feels the need to mix things up a little, but man, it was going so well up to this point.   Thankfully the following tune, “Finely Street Hooker Song” , has the upbeat pep of the Modern Lovers’ “Roadrunner”, which probably has something to do with the inclusion of a bouncing organ sound.  The ending guitar bit tears it up excellently.  “Narcissus”, the last track, eases out the record like Pavement might during one of their ‘fast’ songs during “Wowee Zowee” (which is to say, not fast at all but with enough energy to move it along well).  I’m glad the Victoria Lucas decided not to get too mushy in the end, which usually makes for a dull impression after an otherwise exuberant effort.

Despite not being able to find anything about these guys on the Internet aside from a minimal bit at Allmusic, the Victoria Lucas still have a MySpace page to hear some of their music.  Also, check out their charming video about their busted van and Pep Boys.

The Victoria Lucas have proved that at a mere dollar one can hear a very good pop album from an obscure band.  I knew it could happen!  Sure, it takes a lot of gambles, but I found that nearly every track on this record is worthy of a spin at least once.  It’s too bad that despite the glut of pop rock acts already out there that no one has heard (or heard of) the Victoria Lucas.  It might be partially due in fact that these guys were finished after one record, but if they bothered to make a follow up I think that with their abilities they would have made a blip in a few people’s minds.  Maybe they found that there was a better career in album cover art …