Home > TheRest > The Self Righteous Brothers – In Loving Memory Of…

The Self Righteous Brothers – In Loving Memory Of…

Black & Greene Records, 2006

The album cover looks like a couple of ghosts from Pac-Man got together and said, yo, forget this ‘getting eaten’ gig!  Let’s start a band!  The band name of Blinky and the Roadmasters was already taken, and Pac-Man Sucks probably reminded them too much of their old job.  So, due to their love of the Righteous Brothers’ song “Unchained Melody” from their favorite movie “Ghost”, they created a spinoff band moniker in tribute.  For a dollar I wanted to find out what the ghosts’ musical abilities amounted to after years of chasing and getting chased.  However, it is possible that the group is actually comprised of three Boston musicians.  But c’mon, that seems less likely.

Turns out these are a bunch of Boston guys mixing up between pop, rock, and some experimental tendencies.  The opener of “Floyd” is a sometimes abrasive, sometimes dated rock affair that introduces the listener to what the Self Righteous Brothers can sound like, even if it is not that interesting.  Despite their choice of introduction, it doesn’t take long for the group to slip into their primary sound of pop rock.  On “Alan Watts” the Self Righteous Brothers wanted to sway kindly when they sang about the late British philosopher, who was all about the Zen.  This carefree sound continues into the forlorn “Graduated Cylinder” as well as the catchy “When I Want To”, which is actually half moody instrumental and half nineties indie rock.

I was beginning to like the Self Righteous Brothers, mainly because the pop songs as well as the pensive instrumentals of “Didjeridon’t” and “48 to 6”, really kept the variety interesting.  Sometimes the group would venture a little too far from what they’re good at (like unfortunately funky “Electric Boogaloo”) but they are generally quite palatable after that “Floyd” number early on.  They do manage to slip a few zingers in periodically, as is evident near the end of the album on “Sidecar Jesus”.  As the record appears to finish on an upbeat pop note, the Self Righteous Brothers couldn’t resist finishing the cheery “Sidecar Jesus” with a confusing noise guitar segue as well as a sped up, louder version of the chorus.  (sigh)  Perhaps they didn’t want to end on a predictable note, though listeners may not appreciate the non-Zen interruption.

Listen to a few tunes by the Self Righteous Brothers (one of which is a Beatles cover) at their Myspace page.  Er, read about wedding arrangements in, uh, Japanese at their website?

Despite a few hiccups, this is a decent pop rock record that has a few good songs on it.  Most of the weirdness is contained on the album cover as the Self Righteous Brothers prefer to be easier listening than those bizarre ghost masks may infer.   With the limited amount of information on the internet about these guys (and not the Australians by the same moniker) it appears that this was the group’s one and only album.  Perhaps their confusion about what they really wanted to sound like did them in, or perhaps it was just time to move onto more focused projects.  Like running away from that juiced up, yellow ghostivore!  Gahhh!!

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